GAW held its annual holiday party on December 20th. Proximity to Christmas and cold, rainy weather contributed to a low turnout, unfortunately, but those who did brave the elements had a great time. A gift exchange was held again this year. See images that follow this text.u00a0
Thank you to Georgia Tech for allowing us to use their facility and to Trip and Jake for being there each month so that we can meet.u00a0
Long time GAW member Wes Jones has won first place in the General Finishes 2018 Design Challenge”, “Hollow Vessels With Or Without Lids/Finials” category.
This beautiful piece of Big Leaf Maple Burl was hollowed and then dyed with blue and green dyes to highlight the gorgeous figure. The removable finial is made of Ebony finished with a wipe-on oil finish. The hollowform is finished with multiple coats of a clear epoxy.
To learn more about the competition and browse through this year’s winners, visit their site at: https://contest.generalfinishes.com/winners.
This is an outstanding opportunity to display and possibly sell your work. The fair takes no commission, so, should your work sell, you get the entire amount.
As in the past, the work will be judged and in each of five categories, prize money will be awarded for first ($200), second ($100) and third ($50) places. In addition, there will be a best in show award of $300, six merit awards generously donated by Jim & Mickey Hutchinson and people’s choice awards for first ($150), second ($100) and third ($50). That’s 25 cash prizes in all!
Categories are: Bowls, Decorative, Functional (includes pens, pepper mills, bottle stoppers, etc.), Hollow Forms, Plates and Platters and Segmented.
*** Deadline for entry forms is September 1st.
*** Entries received: September 7 – 8, 10:00 AM to 4:00 PM
Rules and more information can be found here.
On-line entry forms will be available in August.
I, Stan Virden, received a scholarship from the GAW and attended a class/workshop with James McClure at My home workshop.The course description was Restoration of Basic Skills and the date of this class/workshop was 31 MAR, 2, 6, 7, 14 APR 2018.
Rate instructor and teaching facility on a scale from 1-10 (1=worst and 10=best).
Instructor: 10
Facility:6
Would you recommend this instructor to others in the GAW? Yes
Would you recommend this teaching facility to others in the GAW? No
Comments on the instructor and/or the teaching facility:
As someone with extensive experience in on-the-job training, I found James McClure to be a calm, patient, and forthright instructor who knew what he was doing. I had suffered considerable loss of motor memory in the difficult and drawn out process of moving to this area from my previous home. Further, I have developed spinal issues that constrict my endurance to stand and I am down to one functioning eyeball. These issues, combined with substantial intrusions into my personal schedule, have severely reduced my time at the lathe, where I really prefer to be. James, by following the plan accepted, was able to help me restore procedures that greatly improve upon my skills and abilities to make use of precious time. The teaching facility, my personal workshop, is OK for me, but not suitable for training others in the GAW.
On 6 March 2018 the GAW Scholarship Committee awarded me a $750 scholarship to attend a series of lessons with James McClure. These lessons have been carried out much as described in my application. Variations were relatively minor, and I was quite satisfied with the experience.
We started with tool sharpening techniques, something I have long recognized as essential and despaired of getting right. My mind is easier now in approaching my grinder and other sharpening instruments. We next moved on to correcting tool and body positions which had been causing me excessive tear-out and catches. James gave me a clearer understanding of the physics involved in making cuts on a lathe. His explanations got through to me more effectively than what I have heard and seen in countless live demonstrations and videos.
Next, we focused on bowls with some wet blanks. I am not used to turning wet but found in it several advantages that I hope to employ in the future. My main concerns have lain in the time required for twice turning and procedures to minimize cracks, especially since I cannot with confidence schedule the intervals between trips to the lathe. I joke that at my age (84+) I lack the time to wait for wood to dry. But now I feel more comfortable about using wet wood, especially for certain types of bowls, such as natural edge, where oval shapes are sometimes more acceptable and interesting. In the course of two sessions I was able to bring several bowls near to completion. I hope to finish them soon for show-and-tell at future club meetings.
As I am inherently a slow worker, and tend to deteriorate in effectiveness after two hours, we did not spend as much time as planned on spindle turnings, except to make a pair of jam chucks, devices that I have seldom tried to use. I now have a better understanding of their utility. This personal coaching has also given me better understanding of tool control that increases my confidence in attempting finials and other spindle appendages to the bowls and platters that are my primary interest.
James and I had useful discussions on what sorts of finishes are best in various circumstances, and how they should be applied. This is an area where I have always been confused, collecting a variety of finishes that spoiled before I could find time to use them. While we did not actually perform the butterfly repair to an existing crack, James provided me with a sample butterfly and gave me detailed instructions on the required procedure. He also left me with several poplar blanks for future practice. Those provide some projects that I look forward to.
We covered the use of sanding devices, and I was disabused of the need in most circumstances to carry sanding to grits higher than 400 or 600. He explained that going to finer grits would impair the effectiveness of most finishes and probably result in more glaring scratches shining through. That reassurance will certainly save me some time. Altogether, this series of lessons has raised my comfort level considerably and should result in better workmanship. I am most grateful to GAW for providing me with this wonderful opportunity.
–Stan Virden, 21 April 2018
The 2018 ACC show is history. Eight GAW and South Metro members turned at the show. Rachel, the ACC Education Coordinator, who oversees the “Let’s Make” part of the show was extremely happy with comments that attendees had made about our demonstrations and made sure I knew we were invited to take part next year.
This year’s demonstrators were:
Andy Bennett
George Daughtry
Hanley Lewis
Bill Lynch
Kim Muthersbough
Steve Pritchard
Scott Questad
John Von Eshenbach
Right: John von Eshenbach turning for one of our many visitors.
Above and right: Scott Questad turning for booth visitors.
Wes has his work on display until April 28th at the Hudgens Center for Art and Learning in Duluth. Yesterday Linda and I had the pleasure of spending some time viewing his exhibit. Some of the work we had seen during show and tell at club meetings, but there was a lot we had not seen before.
We see our members’ work one or two pieces at a time at club meetings, but when we see a collection of one person’s work in a setting such as this, it takes on a new meaning. I would highly recommend stopping by the Hudgens Center. In my opinion it is worth the trip for any woodturner in the Atlanta area.
Wes will be delivering an artist’s talk on woodturning in the gallery on March 17, 2018 at 11 am.
Hudgens Center for Art & Learning
6400 Sugarloaf Parkway, Building 300
Duluth, GA 30097
February 17 through April 28, 2018
thehudgens.org
